Leia o trecho do artigo de Jason Farago, publicado The New York Times, para responder às questões 21 She led Latin American Art in a bold new d Antropofagia (“Cannibalism”), 1929, a seminal Modernism by Tarsila do Amaral that is part o her work at MoMA. In 1928, Tarsila do Amaral painted Abaporu, a work of Brazilian Modernism, in which a nude figur half-human and half-animal, looks down at his mass swollen foot, several times the size of his head. inspired Tarsila’s husband at the time, the poet O Andrade, to write his celebrated “Cannibal Manifes flayed Brazil’s belletrist writers and called for of local influences – in fact, for a devouring of European stereotype of native Brazilians as cannib be reformatted as a cultural virtue. More than a s literary reform movement, cannibalism would form t for a new Brazilian nationalism, in which, as de A wrote, “we made Christ to be born in Bahia.” The unconventional nudes of A Negra, a painti produced in 1923, and Abaporu unite in Tarsila’s f painting, Antropofagia, a marriage of two figures a marriage of Old World and New. The couple sit en her breast drooping over his knee, their giant fee over the other, while, behind them, a banana leaf large as a cactus. The sun, high above the primord is a wedge of lemon. (Jason Farago. www.nytimes.co De acordo com o artigo de Jason Farago, o “Manifes pofágico”, escrito por Oswald de Andrade, foi infl

1. A)pelo quadro Abaporu, produzido por Tarsila do 1928.GABARITO
2. B)pela exuberância das paisagens tropicais brasi
3. C)pelo quadro Antropofagia, produzido antes da S de Arte Moderna.
4. D)pelo estereótipo dos povos indígenas brasileir
5. E)pelo sincretismo religioso na Bahia e pelo pri nas artes plásticas. pelo jornal